Print Mein - The Evolution of Printmaking: Partha Dutta's journey from Manual to Digital

Partha, a PhD student who recently graduated and successfully exhibited his work at IITK, has always been passionate about exploring different artistic mediums. Hailing from Raniganj, Asansol — a region known for its coal mining industry — he found inspiration in the lives of coal miners. His work reflects the ruggedness and texture of this environment, making woodcut printmaking an ideal medium. The raw, expressive nature of woodcut prints allows him to capture the essence of the subject matter effectively. He also draw influence from the works of German artist Käthe Kollwitz, who used woodcuts to depict the harsh realities of war and social struggles.

Through his journey in printmaking, Partha has explored various techniques, including etching, lithography, and serigraphy. The biggest fascination for him in this technique is that it requires a premeditated vision rather than the immediate visual feedback of painting. Often, unexpected effects emerge, adding a magical element to the final print. This unpredictability fuels his passion for the craft.

While studying at IITK, Partha gained access to advanced tools such as laser engraving and 3D printing. This exposure led him to question explore how digital methods could enhance traditional printmaking, blending manual techniques with modern innovations. By digitally preparing prints and incorporating laser-engraved blocks, he discovered new textures and effects that would be impossible to achieve manually. The ability to manipulate size and reuse designs digitally also provided additional creative freedom.

Despite the growing influence of digital art, Partha believes that both manual and digital processes hold equal significance in artistic expression, and he wishes to continue delving deeper into both mediums.

At IIT, Partha also provided opportunities for others to experience printmaking firsthand during the recent showcase of his work at the institute. By setting up an interactive space with print blocks and tools, he allowed visitors to engage with the process, emphasizing the tactile nature of printmaking.

Looking ahead, Partha envisions continuing his artistic practice while seeking opportunities in academia or education. His ultimate goal is to establish a personal studio where he can freely experiment with both traditional and digital printmaking techniques.

With his dedication to merging past and present techniques, the institute wishes that he makes his mark by creating meaningful art at the intersection of innovation and tradition.